{"title":"New Releases","description":"\u003cp\u003ehere are some of our most recent releases\u003c\/p\u003e\n\u003c!----\u003e","products":[{"product_id":"martha-rose-close-to-close-vinyl","title":"Martha Rose - ‘Close to Close’ Vinyl","description":"\u003cp\u003e\u003ciframe loading=\"lazy\" height=\"152\" width=\"100%\" src=\"https:\/\/open.spotify.com\/embed\/album\/227EpYl1fl9ZF5olsmNVIq?utm_source=generator\u0026amp;theme=0\" style=\"border-radius: 12px;\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDrifting off in a dreamlike state, lost in a meadow maybe, the sun is shining, gently warming your skin. The smell of spring is perfuming the air, and there is lightness all around. A lightness that’s everything but shallow, a lightness full of cheekiness, a lightness that has come to know loss and alienation. This is the sonic landscape Martha Rose has created for us. It evokes a tender, diffuse nostalgia, an air of simplicity, yet feels mystical at the same time. Welcome to the world of Martha.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAn English multi-instrumentalist, Martha Rose has been active in Berlin’s diverse underground music scene for years. With \u003c\/span\u003e\u003cspan\u003eClose to Close\u003c\/span\u003e\u003cspan\u003e, she makes her debut at the Neukölln-based label Mansions \u0026amp; Millions, the artistic home of many of her longtime collaborators. \u003c\/span\u003e\u003cspan\u003eClose to Close\u003c\/span\u003e\u003cspan\u003e is an organic and introspective meditation, creating an almost dreamlike state of being that feels simultaneously fragile, mournful but also light and full of love. „It mourns closeness gone cold“, Martha Rose explains „and the quiet loss of unspoken fragile intimacy.“ Unsurprisingly, the record’s first ideas were conceived during „those lonely months of lockdown“, she remembers. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIt took until May 2023 for them to fully come to fruition, working together with producer ET at his studio in Neukölln. Working with vintage drum machine samples, Yamaha keyboards Martha Rose had collected, and, of course, lots of organic live recordings, they created the world of \u003c\/span\u003e\u003cspan\u003eClose to Close\u003c\/span\u003e\u003cspan\u003e. Alongside nods to traditional songs and ballads from Ireland, England, Scotland and the US, inspiration was found in the music of Daniel Johnston, Kate Bush or the Cocteau Twins, in literature, childhood memories, fairy tales, and DJ-sets at quintessential Berlin hangouts. „ET asked me lots of important and difficult questions about the songs“, Martha remembers, „to make sure they were forming in the best and most honest way possible.“\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eHonesty is a common thread binding the dreamy soundscapes together, the lyrics are united by Martha’s bravery to share feelings of loneliness and being vulnerable. „It seems that the overarching theme of love will always be in my music, no matter what I do“, she says, „there are themes of romance, introspection, and loss in this project too.“ These personal experiences serve as a springboard to develop a song, and through the use of fictional or classic characters (such as the ancient Greek figure of \u003c\/span\u003e\u003cspan\u003eEurydice\u003c\/span\u003e\u003cspan\u003e in the eponymous song) and archetypes, mysticism, fantasy and symbolism then take up a life of their own. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eChin Up\u003c\/span\u003e\u003cspan\u003e for example, a tender ballad about being brave and keeping one’s chin up, even after experiencing rejection, invokes traditional folk traditions from the US-American mid-west. \u003c\/span\u003e\u003cspan\u003eNever Love Enough\u003c\/span\u003e\u003cspan\u003e, wrapping the listener in sweet, blissful harmonies, turns the narratives of a love song on its head by wondering whether the lyrical subject can ever match their lover’s devotion. \u003c\/span\u003e\u003cspan\u003eThe Love In Your Heart\u003c\/span\u003e\u003cspan\u003e, a call to love without fear reflects the feeling of peace that is found when you accept your own contradictory self. \u003c\/span\u003e\u003cspan\u003eThe Same Feeling\u003c\/span\u003e\u003cspan\u003e, on the other hand, explores darker tonalities and themes. Martha says „There is a feeling of nighttime danger and glamour, and a relentlessness to the melodies in this song, which keep pushing through the emotional walls they are trying to understand.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIn a record full of highlights, \u003c\/span\u003e\u003cspan\u003eHeart Still Beats 4 U\u003c\/span\u003e\u003cspan\u003e still manages to stand out: Martha Rose creates a song that is simultaneously subtle, yet undeniably disco. „It’s an upbeat lament about the impossibility of escaping your crush, soundtracking lonely nights secretly crying on a glittering 80s dance floor“, Martha reveals – and if there is any justice left in this planet, this track should be drawing crowds onto any dance floor imaginable.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eClose to Close\u003c\/span\u003e\u003cspan\u003e is a remarkably concise, softly confident and impressive debut by a seasoned artist with a clear artistic vision and the skills to make these dreams come true. There is bravery in romance, in vulnerability, in softness – and Martha Rose formed the soundscape for it.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e– Aida Baghernejad, February 2024, Berlin\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Martha Rose","offers":[{"title":"Default Title","offer_id":48898708144456,"sku":"MAMI44LP","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/2170\/7080\/files\/ClosetoClosefront.jpg?v=1730559148"},{"product_id":"world-brain-open-source-lp","title":"World Brain - ‘Open Source’ Vinyl","description":"\u003cp\u003e\u003ciframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/3zUPEKdFY8AdS9Efz2BMLs?utm_source=generator\u0026amp;theme=0\" width=\"100%\" height=\"152\" loading=\"lazy\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWORLD BRAIN last graced us with a solo release with 2019’s \u003c\/span\u003e\u003cspan\u003ePeer 2 Peer\u003c\/span\u003e\u003cspan\u003e. As its name suggests, that album explored the promise and perils of universal connectivity via quirked-up songwriting and instrumental psychedelia. His new release, \u003c\/span\u003e\u003cspan\u003eOpen Source\u003c\/span\u003e\u003cspan\u003e, deepens this internal and external journey. Bursting beyond the four walls of ‘bedroom pop’ and reflecting a move from Berlin to Paris—where much of the album was recorded—and on to Brussels, the album has a jazzy, cinematic scope (as on the Brubeck-inspired march “Fromage collatéral,”) enveloping the listener in a cosmic-pastoral audiosphere.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThere are still many tones that evoke the software sounds of decades past (the exemplar here is “cAPTCHA,” whose virtual marimba and vocalese suggest a breathless, Exotica-inspired introduction .mov for the \u003c\/span\u003e\u003cspan\u003einformation superhighway\u003c\/span\u003e\u003cspan\u003e) but the palette has become richer and more organic, lead by the woodwinds which play a major role throughout, with flute provided by labelmate Martha Rose. (On the aforementioned “cAPTCHA” one also hears the world-class whistling talents of the incomparable Molly Lewis.) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eYet the single most noticeable new element may be the use of WORLD BRAIN's native French, sung by his sister Noémie on “Ville fleurie” and the gorgeous, fluttering “Minute papillion” (the title an idiomatic injunction to \u003c\/span\u003e\u003cspan\u003eslow down!\u003c\/span\u003e\u003cspan\u003e) WORLD BRAIN initially wrote these lyrics in English, but felt something wasn’t quite right, only realizing what was off when he heard them sung in another language. That spirit of discovery – of finding a new spark in returning home – suffuses \u003c\/span\u003e\u003cspan\u003eOpen Source\u003c\/span\u003e\u003cspan\u003e. It invites us to play, beckons us to relax, reminds us to find serenity amidst the churn of the present: \u003c\/span\u003e\u003cspan\u003eminute papillon, dans le tourbillon\u003c\/span\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"World Brain","offers":[{"title":"Default Title","offer_id":48898708406600,"sku":"MAMI45LP","price":21.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/2170\/7080\/files\/FRONT_mid.jpg?v=1724686682"},{"product_id":"meagre-martin-gut-punch-vinyl","title":"Meagre Martin - ‘Gut Punch’ Vinyl","description":"\u003cp\u003e\u003ciframe style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/23f1Z2QCkT1II5fN6SpJ2j?utm_source=generator\u0026amp;theme=0\" width=\"100%\" height=\"152\" loading=\"lazy\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp id=\"isPasted\"\u003eReality really feels like a punch in the gut these days. It takes your breath away in an instant, and the pain continues to linger in the background for quite a while afterwards, fading into the background more and more until it’s just a memory of the pain that’s left. A memory that still makes you wince just thinking about the moment it hit you and made you exhale.\u003c\/p\u003e\n\u003cp\u003eIn their debut album, \"Gut Punch,\" Meagre Martin create a sound inspired by shoegaze, 90’s indie, or 'faux country,' as the band calls it, and juxtaposes these beautifully light soundscapes with lyrics that belie the sweetness of the sound with their vulnerability and depth. Sonically evoking images of California deserts and Berlin basements, of long thoughtful conversations in the twilight, days turning into nights in the park and nights turning into day again at a studio, lyricist, singer, and guitarist Sarah Martin (she\/her) and her bandmates Federico Corazzini (drums, engineering, he\/him) and Max Hirtz-Wolf (bass, he\/him) have created eleven tracks – starting with the dreamy, ethereal \"Intro\" and closing with the utterly different, yet equally vaporous \"Outro\" – that beautifully flow into each other.\u003c\/p\u003e\n\u003cp\u003eIn the lyrics, Martin explores her feelings towards her native country, the United States, as well as personal trauma, healing, the climate catastrophe, and mass extinction. The latter, however, with a distinctly vibey, life-affirming sound on \"The Big Death (TBD)\": \"I don’t wanna die, it’s all right,\" Martin sings, \"the trees are burning and we’re not learning.\" On \"Amerika,\" the band reflects on their country of origin from a vantage point of insiders and outsiders simultaneously: \"Praise the Lord in America, protect your own in America, work to the bone in America, then we soldier on in America\" – lyrics that feel laconic but also very urgent and timely with the rise of religious authoritarianism ahead of the presidential election next year. Martin’s direct, honest, and truly authentic songwriting is given shape by the production and space to expand in all directions, with her unique voice drawing listeners deeper and deeper into the world the trio has created together.\u003c\/p\u003e\n\u003cp\u003e\"We approached the album in a really old way of making music,\" Corazzini explains, \"it felt like soul-searching as a band, the three of us together.\" Having had access to the legendary Butterrama studios in Berlin through Corazzini’s job as a studio engineer, the band had the chance to take their time to develop a unique sound that is equally contemporary and yet shimmers with a tinge of golden nostalgia. Recording almost everything live together and making use of analogue equipment and techniques that the studio offers, the trio created songs that feel remarkably lived-in, in the best way possible. It comes as no surprise that the young band (they only became a trio in February 2022 and immediately went to the studio the following summer) counts artists and bands such as Big Thief, Snail Mail, Cate Le Bon, and, of course, Fleetwood Mac and the mystique, as their inspiration.\u003c\/p\u003e\n\u003cp\u003eWith \"Gut Punch,\" Meagre Martin releases a remarkable debut that feels familiar like a good old friend and fresh at the same time. The lushness of the sound builds the ideal foundation for the stories Sarah Martin, Federico Corazzini, and Max Hirtz-Wolf want to tell. Bridging indie sentimentalities and contemporary topics, \"Gut Punch\" is a record that manages to be both of its time and timeless, and introduces Meagre Martin as one of the most thoughtful, humane, and exciting bands of the contemporary indie sphere. And I, for one, can’t wait for all there is to come.\u003c\/p\u003e\n\u003c!----\u003e","brand":"Meagre Martin","offers":[{"title":"Default Title","offer_id":48903692648776,"sku":"MAMI41LP","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/2170\/7080\/files\/ARTWORK_big.jpg?v=1730559366"},{"product_id":"andreya-casablanca-see-more-glass-tape","title":"Andreya Casablanca - ‘See More Glass’ Tape","description":"\u003cp\u003e\u003ciframe loading=\"lazy\" height=\"152\" width=\"100%\" src=\"https:\/\/open.spotify.com\/embed\/album\/0inybIppQ1YFOXscrIDzEA?utm_source=generator\u0026amp;theme=0\" style=\"border-radius: 12px;\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSometimes you need a break, you need to get away from it all, to refocus and find your own authentic voice once again. This is what Andreya Casablanca needed to do after releasing two critically acclaimed records with her band Gurr and touring the world. Refocus, try to see the world and your life from different perspectives. Maybe open different doors and look through different windows. \u003c\/span\u003e\u003cspan\u003eSee More Glass.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWith her solo debut, Andreya Casablanca created her own world in ten songs and it marks a departure from the soundscapes she created in the past. While not shedding her more rock-oriented roots, Casablanca embraces a shift towards a more genre fluid, pop-influenced sound that manages to be at once inclusive as well as being inventive and challenging – in the very best way. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTake \u003c\/span\u003e\u003cspan\u003eTrapped in Space\u003c\/span\u003e\u003cspan\u003e, where Casablanca fuses her sweetest singing voice with 80’s inspired guitars and synths, powerful bass and drums, and lyrics about projecting one’s personal anxieties upon a romantic interest. Haven’t we all been there? Or there’s \u003c\/span\u003e\u003cspan\u003eChildren\u003c\/span\u003e\u003cspan\u003e with its references to Alex Cameron’s brand of deadpan performance. Or the dreamy, yet distorted guitars on \u003c\/span\u003e\u003cspan\u003eDreamin\u003c\/span\u003e\u003cspan\u003e, painting the picture of a surf rock song gone on a bender, sometime in the mid-90’s, and ending up on the greatest stadium stage. Fittingly, Casablanca describes a sense of falling for a new idea, be it a romantic interest, or a new path in life. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWorking on \u003c\/span\u003e\u003cspan\u003eSee More Glass \u003c\/span\u003e\u003cspan\u003eindeed felt like taking a new path in life, Casablanca explains: “this has been the first time I created music all on my own“ – before, she had always been a part of a band. “It was a time for self-discovery, reinvention, and being alone, being by myself.“ Inspired by artists such as Tirzah, Grimes and others who started out by simply using tools like Apple’s Garage Band or Logic to create their own productions, she also let her own perfectionism go. “I listened to ‘Art Angels’, and I don’t even like it that much – but its weirdness and playfulness gave me the confidence I needed to just give it a try and do my own thing”, she remembers. Together with producers and engineers such as Robbie Moore and Philipp Janzen (of Von Spar and Die Sterne) they brought her vision over the finish line. On her very own terms.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe creative self-discovery came hand in hand with a period of intense self-reflection, which has influenced the songwriting deeply: observations on dating (“Oh my god, I’m such a teenager“, she says laughing), and meditations about mental health, and the struggles and challenges that come with beginnings and endings in life. On one of \u003c\/span\u003e\u003cspan\u003eSee More Glass\u003c\/span\u003e\u003cspan\u003e’ most pivotal tracks, \u003c\/span\u003e\u003cspan\u003eLose Somebody\u003c\/span\u003e\u003cspan\u003e, Casablanca takes an honest and painful look at her own ambition and how it can turn against oneself – and creates a path forward, out of the depths of hyper productivity, burnout, and depression. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSee More Glass \u003c\/span\u003e\u003cspan\u003eis a confident, mature, fully-formed, yet playful, creative and enigmatic artistic statement that is so much more than simply a solo debut. Andrea Casablanca isn’t afraid to show her vulnerabilities, and showcases the strength that lies within this openness. With timeless songs, set to become favourites for a long time, Andreya Casablanca forges a new path for herself. And we’ll follow along happily.\u003c\/span\u003e\u003c\/p\u003e","brand":"Andreya Casablanca","offers":[{"title":"Default Title","offer_id":49323330994504,"sku":"MAMI46MC","price":14.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/2170\/7080\/files\/andreya_casablanca_see_more_glass_cover_web.jpg?v=1730736645"},{"product_id":"discovery-zone-quantum-web-exp-tape","title":"Discovery Zone - ‘Quantum Web EXP’ Tape","description":"\u003ciframe data-testid=\"embed-iframe\" style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/album\/090n6fmG0SdSI6xNNGZ4OD?utm_source=generator\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;}--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eDiscovery Zone’s Quantum Web EXP is an expanded journey through the shimmering circuitry of 2024’s Quantum Web, the second album by the New York-born and based musician and multi-media artist JJ Weihl. This extended version, marking the year anniversary of Quantum Web, invites listeners deeper into Discovery Zone’s maze, where melodies fracture and reform, music becomes mirror and mirage, and circuitous patterns lead to electric dreams.\u003cbr\u003e\u003cbr\u003eQuantum Web was the highly anticipated follow up to Remote Control, JJ’s ascendent 2020 debut album and first solo offering after years as a singer and bass player in the beloved Berlin-based band Fenster. With both albums, JJ worked with French producer E.T. (\u003c\/span\u003e\u003cspan data-sheets-root=\"1\"\u003ewho also helms new mixes of “Mall of Luv” and “Ur Eyes” here) to define the Discovery Zone sound and distinguish her music further, and further more, from her group pursuits.\u003cbr\u003e\u003cbr\u003eEchoes of 80s sophisti-pop, hyper-digital textures, and early electro remained musical cornerstones from Remote Control to Quantum Web , but JJ’s voice, spectral and up front at once, and ambitious, illusory conceptual framework created an almost invisible depth and dimension to her sophomore offering. Quantum Web evolved in the moment and on the move while JJ toured throughout 2024 with Crumb, L’Rain, Julia Holter, and extensively on her own. \u003cbr\u003e\u003cbr\u003e\"With every offering the pieces get shaken around and placed somewhere else in your mind. The same clouds re-forming again and again and the same notes and letters too, says JJ. “And then maybe at the end, it’s better to leave the pieces out all together, or at least not to use words to try and explain them. Not to use songs to try and explain the music.The feeling left behind without words. Without meaning. Without music.\" \u003cbr\u003e\u003cbr\u003eAs listeners wander through Quantum Web EXP, they encounter fragments—a loop, a shadow or perhaps just a memory. This is music that revels in reinterpretation, acknowledging that meaning often dissolves as soon as it’s grasped. Chaos becomes order, then chaos again.\u003cbr\u003e\u003cbr\u003eDiscovery Zone’s Quantum Web EXP will be available on March 7, 2025 as a limited cassette and unlimited digital edition from RVNG Intl. and Mansions and Millions. \u003c\/span\u003e\u003c\/p\u003e","brand":"Discovery Zone","offers":[{"title":"Default Title","offer_id":49783869800776,"sku":"MAMI42DMC","price":15.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/2170\/7080\/files\/RVNGNL112EX_4000px.jpg?v=1738594546"},{"product_id":"sean-nicholas-savage-the-knowing-vinyl","title":"Sean Nicholas Savage - ‘The Knowing’ Vinyl","description":"\u003ciframe data-testid=\"embed-iframe\" style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/album\/6Z0vt64q1wJfprVQ6eWLiG?utm_source=generator\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eTurquoise EU color vinyl edition.\u003c\/span\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan data-sheets-root=\"1\"\u003eTracklist:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e1 Stranger Than Fiction \u003cbr\u003e2 Pink Bouquet \u003cbr\u003e3 Part 2 (Feat. Better Person) \u003cbr\u003e4 The Knowing \u003cbr\u003e5 Lust For Life \u003cbr\u003e6 A Sign \u003cbr\u003e7 Insane 4U \u003cbr\u003e8 I Love Everything About You \u003cbr\u003e9 Everything You Are \u003cbr\u003e10 Your Drug (Feat. Marci) \u003cbr\u003e11 Wild Things \u003cbr\u003e12 Believe It Or Not\u003c\/span\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003ePlaywright, director and singer songwriter Sean Nicholas Savage has returned to a pop palette with his most brilliant batch of classic ballads to date. His new album, “The Knowing” is a pivot; at once more subversive and yet more fashionable than ever before.\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'Sometimes we must go back to the beginning\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eto harvest a future in the fertile soils of our past'\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eIn Spring 2024 Savage recorded the first version of “The Knowing” in Edmonton, Canada. In the same basement where he grew up listening to records late at night, with the speakers off and his ear to the needle so no one would wake up. The song Part 2 (featuring Better Person) was written about the West Edmonton Mall near where Sean grew up, which was the biggest mall in the world until 2004.\u003cbr\u003e\u003cbr\u003e'I'm just a piece of a puzzle makes a picture I can never see' - Part 2\u003cbr\u003e\u003cbr\u003eThat August, the second and final version of the record was produced. This time with longtime collaborator Pascal Chenard and bandmate Samuel Beaulieu in London England, where Savage was born. Chenard produced music for the live version of Savage’s musical play “Please Thrill Me” and musical film “The Plumber”. The album’s opener, “Stranger Than Fiction”, was written on the tube and recorded during the first night of the London session, which was also Sean Nicholas Savage’s birthday.\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'We went to Hammersmith where my family had lived, and saw the old house there on the morning of my birthday. A few manic weeks of writing and recording began that night.'\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eSean Nicholas Savage engaged several other collaborators on this record. The lead single, “Your Drug”, a reflective duet with Arbutus Records label mate Marci, both familiar and yet with an edgy bareness that allows it to recontextualize its nostalgic trope. Belgian singer songwriter David Numwami plays guitar on the songs “Stranger Than Fiction” and “Wild Things” and artist JJ Weihl aka Discovery Zone helped co-wrote “Pink Bouquet”.\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'I still love you is a secret that i buried forever in a hole in the world where a human once was' - Wild Things\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eSavage is in peak lyrical form on this record. The words for title track “The Knowing” were initially a study in saying as much as possible with every sentence using the word 'know' in it. Savage himself did not know what was being communicated at first until through the process a poem was revealed. \u003cbr\u003e\u003cbr\u003e\u003cem\u003e'What is The Knowing about?\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAlmost all that I say in it, is that I don't know, although i'm sure, anyone who listens closely to the song, knows what it's about.'\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eCleverly tucked into the tracklist is a tender cover of Iggy Pop’s “Lust For Life”, somehow appropriately strummed softly in the vein of Green Days’ “Good Riddance”. Sean Nicholas Savage collaborated with Lulannie for the album artwork photos, which they took on their way out to a New Years Eve 2025 party in New York City. The song “I Love Everything About You” is about their relationship.\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'Your unflattering photos are the ones i cherish most' - I Love Everything About You\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eThe last few years of Sean Nicholas Savage’s output have seen three musicals, each with original music: “Please Thrill Me”, “The Fear” and “The Plumber”, the latter of which was made into a film. \u003cbr\u003eSavage’s last two records, “Shine” and “Life Is Crazy”, each progressively more stark and introspective, are masterpieces in their own right.\u003cbr\u003e\u003cbr\u003eThis is the first time Sean Nicholas Savage has released an album with a label other than Montreal label Arbutus Records (Marci, Das Beat). Another first is releasing the record between Philadelphia record label Born Losers Records (Johnny Dynamite, Catherine Moan) and Berlin label Mansions \u0026amp; Millions (Discovery Zone, Better Person).\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'So soft, it's hard. so bad, it's good. so fake, it's real.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ebut sometimes the truth is Stranger Than Fiction.'\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eSean Nicholas Savage’s “The Knowing” is out on June 27th 2025 via Born Losers Records and Mansions \u0026amp; Millions. \u003c\/span\u003e\u003c\/p\u003e","brand":"Sean Nicholas Savage","offers":[{"title":"Default Title","offer_id":50147377316168,"sku":"MAMI48LP","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/2170\/7080\/files\/SNS-TheKnowing-Digital.jpg?v=1743627281"},{"product_id":"mixtape-vol-6-the-covers","title":"Mixtape Vol. 6 - The Covers Tape","description":"\u003cp\u003e\u003ciframe data-testid=\"embed-iframe\" style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/3JswJhK5EmLQ6z6gagjcl4?utm_source=generator\" width=\"100%\" height=\"152\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLimited to 100 hand numbered copies! Includes download codes.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFor our tenth anniversary, we wanted to do something that reflects what the label has always been about: sharing ideas, working together, and building a community of artists who support and inspire each other. So we brought back our mixtape series — now in its sixth edition — and asked artists from the label and extended family to cover each other’s songs.\u003c\/p\u003e\n\u003cp\u003eThe result is a collection that shifts perspectives, finds new angles in old favorites, and plays with the label’s genre mix. It’s also a way to highlight what the Berlin pop underground — and the extended world around it — has to offer.\u003c\/p\u003e\n\u003cp data-start=\"112\" data-end=\"372\" class=\"\"\u003e\u003cstrong data-start=\"112\" data-end=\"122\"\u003eSide A\u003c\/strong\u003e\u003cbr data-start=\"122\" data-end=\"125\"\u003eA1. Martha Rose – \u003cem data-start=\"143\" data-end=\"158\"\u003eSuch A Thrill\u003c\/em\u003e (John Moods Cover)\u003cbr data-start=\"177\" data-end=\"180\"\u003eA2. The Zenmenn – \u003cem data-start=\"198\" data-end=\"212\"\u003eFreaking Out\u003c\/em\u003e (DENA Cover)\u003cbr data-start=\"225\" data-end=\"228\"\u003eA3. Meagre Martin – \u003cem data-start=\"248\" data-end=\"258\"\u003eDance II\u003c\/em\u003e (Discovery Zone Cover)\u003cbr data-start=\"281\" data-end=\"284\"\u003eA4. Sean Nicholas Savage \u0026amp; Marcin Masecki – \u003cem data-start=\"328\" data-end=\"348\"\u003eZakochany Człowiek\u003c\/em\u003e (Better Person Cover)\u003c\/p\u003e\n\u003cp data-start=\"374\" data-end=\"643\" class=\"\"\u003e\u003cstrong data-start=\"374\" data-end=\"384\"\u003eSide B\u003c\/strong\u003e\u003cbr data-start=\"384\" data-end=\"387\"\u003eB1. Adam Repucha – \u003cem data-start=\"406\" data-end=\"415\"\u003eGetaway\u003c\/em\u003e (J. Vague Cover)\u003cbr data-start=\"432\" data-end=\"435\"\u003eB2. World Brain – \u003cem data-start=\"453\" data-end=\"468\"\u003eIt's Only You\u003c\/em\u003e (Better Person Cover)\u003cbr data-start=\"490\" data-end=\"493\"\u003eB3. Dandy Deniz – \u003cem data-start=\"511\" data-end=\"528\"\u003eAll My Thoughts\u003c\/em\u003e (Meagre Martin Cover)\u003cbr data-start=\"550\" data-end=\"553\"\u003eB4. E\/T – \u003cem data-start=\"563\" data-end=\"569\"\u003eTest\u003c\/em\u003e (Discovery Zone Cover)\u003cbr data-start=\"592\" data-end=\"595\"\u003eB5. J. Vague – \u003cem data-start=\"610\" data-end=\"621\"\u003eSentiment\u003c\/em\u003e (Better Person Cover)\u003c\/p\u003e","brand":"Compilation","offers":[{"title":"Default Title","offer_id":50473757999432,"sku":"MAMI50","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/2170\/7080\/files\/mm_jubilaum_final_10801080Kopie.jpg?v=1747652856"},{"product_id":"discovery-zone-remote-control-5-year-anniversary-vinyl","title":"Discovery Zone - Remote Control Purple Marble Vinyl Edition","description":"\u003ciframe data-testid=\"embed-iframe\" style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/album\/3ikMmpjQ8lDqeDPwChZTSM?utm_source=generator\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cstrong\u003eFinally back in print! 2nd Reissue in time for the 5 Year Anniversary. Purple Marble Vinyl. Holographic sticker. Limited to 500 copies, be quick.\u003c\/strong\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"im\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003e“What we’re talking about now, is now. How long is now?”\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eRemote Control is the debut album from New York-born and based sound and visual artist JJ Weihl, aka Discovery Zone originally released June 5, 2020, and reissued now, around its five year anniversary. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003e\u003cbr\u003eWhen music attempts to evoke the cutting edge, it tends to reach for newly synthesized tones, impossibly glossy, surreal, alien. But the future into which we have arrived is built of mass-produced sensors and microprocessors, the endlessly proliferating plastics that link us together in a superhuman web of communication and surveillance. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003e\u003cspan style=\"font-family: Calibri, sans-serif;\"\u003eUbiquitous copies define our world as much as marvels of innovation do; the keyboard preset and drum machine default have just as much claim to being the sound of cybernetic pop as the algorithmic virtual instrument\u003c\/span\u003e\u003cspan style=\"font-family: Calibri, sans-serif;\"\u003e. On \u003c\/span\u003eRemote Control, Weihl lovingly reshapes these humble sonic elements with the assistance of producer E\/T and Lucas Chantre, aka WORLD BRAIN, a founding member of beloved experimental pop band Fenster alongside Weihl.\u003cbr\u003e\u003cbr\u003e\u003cspan class=\"im\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eWith a palette of chimes, chirps and shimmers, Remote Control is a glowing meditation on our contradictory moment in history. Nostalgia is mixed into more synthetic sound worlds, each song dipping into past and future sonic landscapes. Weihl implements drum machines, vocoder, sound collage, theremin and electric guitar, creating a small laboratory both in the studio and on stage. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eIn Weihl’s hands, the limitations of the default setting form a territory of unbounded experimentation, from the system-notification synth funk of “Dance II” to the trance incantations of “Blissful Morning Dream Interpretation Melody.” The experimental aspects of Weihl’s music are reflected in the spectrum of playful aesthetics, maintaining a strong focus on emotional and accessible pop melodies. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eAt the midpoint of Remote Control, Weihl provides an instrumental backing to a dialogue between a siri-like robot named Sophia and one of her creators. We share with Sophia a certain existential uncertainty as we move through time. Like Sophia, we are confronted with the question of whether our mediated encounters with the world leave us the same as we were before, remake us, or leave us somewhere in between – still ‘Sophia’, yet “Sophia Again.” Do our expressions of wonder truly emerge from us, or are they programmed responses?\u003cbr\u003e\u003cbr\u003e\u003cspan class=\"im\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eLive visuals and music videos are a big part of Discovery Zone. Presenting a wild curation of green screen, found footage, and original material, the visual arc of Remote Control is one of digital bricolage – weaving narratives out of YouTube videos, personal beach vacation footage, television commercials, early computer animations, and 3D renderings. Utilizing sci-fi and lo-fi aesthetics in the deep web, the sonic and lyrical themes of nostalgia, paradox, love, physics and philosophy are further explored and enhanced by visual journeys through second life and the fun house mirror of the internet.\u003cbr\u003e\u003cbr\u003e\u003cspan class=\"im\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eThe cover of Remote Control is adorned with a holographic key. A fitting image for an album that plays with the idea and definition of what it is to be real. A holograph is both less and more than it seems. A mere surface containing the space it represents, at once illusion and real reproduction.\u003cbr\u003e\u003cbr\u003e\u003cspan class=\"im\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eDiscovery Zone’s Remote Control will be reissued as a Purple Marble vinyl edition, with a hologram key sticker, on by RVNG Intl. and Mansions and Millions. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1 Nu Moon\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e2. Dance II\u003cbr\u003e3. Come True\u003cbr\u003e4. Fall Apart\u003cbr\u003e5. Sophia Again\u003cbr\u003e6. Blissful Morning Dream Interpretation Melody\u003cbr\u003e7. Remote Control\u003cbr\u003e8. Time Zone\u003cbr\u003e9. Come Slow\u003cbr\u003e10. Tru Nature \u003c\/span\u003e\u003c\/p\u003e","brand":"Discovery Zone","offers":[{"title":"Default Title","offer_id":50598000165192,"sku":"MAMI24LP","price":27.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/2170\/7080\/files\/RVNGNL129_Mockups-01.png?v=1749121185"},{"product_id":"innerinnerlife-ifonly-cd","title":"innerinnerlife - IfOnly CD","description":"\u003ciframe data-testid=\"embed-iframe\" style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/album\/4uLuSvcvafheRnddYqDOxB?utm_source=generator\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cstrong\u003eLimited to 30 copies. Includes two bonus tracks not available anywhere else.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eTracklist:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e01 IfOnly\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e02 Linger On\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e03 Balmy (feat. Josephine Moriko)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e04 Destroyer\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e05 It’s Everywhere (feat. dpe0)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e06 IfOnly (reprise)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e07 Stay.mp3 (bonus track)\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e08 IfOnly (live version – bonus track)\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e---\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eOn first listen, IfOnly, the new EP from Tomasz Szpaderski’s innerinnerlife, evokes memories of the 2000s Gothenburg indie pop scene exemplified by the record labels Service and Sincerely Yours, and Lund’s The Radio Dept. But while it may lovingly gaze north, it’s inescapably a product of Poland, conceived in the kitchen of Szpaderski’s grandparents and completed at his home studio in Gdynia. It’s an effort to return to the most basic elements of his music, freely mixing the analog and digital to capture the feeling of a band’s leisurely exploration of sound. \u003c\/p\u003e\n\u003cp\u003eWhile those touchstone records of the early millennium juggled posthistorical hedonism and revolutionary fervor, IfOnly is tuned to the times in which such passionate certainties recede – moments like our own – and concerned with the task of living through these intervals with an open heart. Amidst the narcotically-paced trip hop of “Balmy,” Stockholm-based Josephine Mariko, who recently collaborated with Szpaderski on the double-sided single “Emociones \/ Prior”, sings “I promise to accept defeat \/ it is a treat…Warmth is weakness, warmth is joy” This is not the balminess of a tropical getaway, but the glacially weighty heat of a transformed climate. \u003c\/p\u003e\n\u003cp\u003eYet this is deeply romantic music – the romance of hope, subdued but indefatigable; the preservation in memory of a lost object; a devotion, above all else, to possibility itself. “If only” may be an expression conveying regret, but like IfOnly, it wistfully reaffirms the promise always carried in that simple conditional ‘if’ – that we may love again, that tomorrow may dawn differently.\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"innerinnerlife","offers":[{"title":"Default Title","offer_id":52013434896712,"sku":"MAMI53CD","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/2170\/7080\/files\/EP.jpg?v=1763377226"},{"product_id":"nalan-2009-black-vinyl","title":"Nalan - 2009 Black Vinyl","description":"\u003ciframe data-testid=\"embed-iframe\" style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/album\/1ExTfbgXwifXMNfXEUe0ss?utm_source=generator\u0026amp;si=bff6746c2152465e\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eFour years after her solo debut I'm Good. The Crying Tape, the Berlin-based musician releases her new album 2009. The nine-song work was primarily created in Istanbul and Berlin and will be released on April 24, 2026 via Mansions and Millions.\u003cbr\u003e\u003cbr\u003eFor the album, Nalan creates a fictitious 2009, fed by her own digicam archive from back then, from which the entire artwork also comes, and the memories that arise while writing. Sometimes it is transfiguring and nostalgic, as in her track Everything was Easy in 2009, then again dark and lamenting, as in Down The Drain or Ok. 2009 is both the monster that can be seen on the cover and the girl in the background, of whom it is not clear whether she is laughing or crying.\u003cbr\u003e\u003cbr\u003eThe song 59:1 (fiftynine to one), for example, is about the live club of the same name in Munich, which had to close its doors in 2013 and where Nalan spent her youth going to concerts. Seems almost logical that, in addition to the members of her current live band, she also worked with musicians from the Munich indie and punk scene of that decade. Hisahi Yamamoto (Like Loonies, Nalan's first band), Attila Sarıtaş (Kafkas Orient Bazaar) and Martin Brugger (This Is The Arrival, now squama recordings) each contributed parts.\u003cbr\u003e\u003cbr\u003eIn terms of sound, however, Nalan moves in the opposite direction and continues to spin the futuristic alt-pop style of her debut. The album is simultaneously live-heavy and electronic- experimental. Pithy synth sounds and plucked guitars create an absorbing contrast and thus create space for Nalan's vocals to develop freely. Sometimes they can be heard clearly, sometimes speaking or impulsively in the background. The drums on the album are deliberately reduced, but have it all, and even the undead nu metal makes an appearance at one point. The sometimes autobiographical, sometimes fictional lyrics deal with desire as in Apple, the class struggles of growing up as in Down The Drain, crushes as in Everything was Easy in 2009 and the feeling of not really having anything to say as in I've Got Nothing to Say. The production by walter p99 arkestra, who also produced Nalan's debut, focuses on texture and atmosphere throughout. Nalan can be seen on tour in April and May 2026.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan data-sheets-root=\"1\"\u003eTracklist:\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e01. Apple\u003cbr\u003e02. 59:1 (fiftynine to one)\u003cbr\u003e03. I Like You\u003cbr\u003e04. Ok\u003cbr\u003e05. Down the Drain\u003cbr\u003e06. Heavy Metal\u003cbr\u003e07. I've got Nothing to Say\u003cbr\u003e08. Stars\u003cbr\u003e09. Everything was Easy in 2009\u003c\/p\u003e","brand":"Nalan","offers":[{"title":"Default Title","offer_id":52329283158344,"sku":"MAMI54LP","price":23.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/2170\/7080\/files\/Nalan_Mockups_V2_Vinyl_5.jpg?v=1769706269"},{"product_id":"nalan-2009-limited-red-vinyl","title":"Nalan - 2009 Limited Red Vinyl","description":"\u003ciframe data-testid=\"embed-iframe\" style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/album\/1ExTfbgXwifXMNfXEUe0ss?utm_source=generator\u0026amp;si=bff6746c2152465e\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cstrong\u003eLimited to 100 copies.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003eFour years after her solo debut I'm Good. The Crying Tape, the Berlin-based musician releases her new album 2009. The nine-song work was primarily created in Istanbul and Berlin and will be released on April 24, 2026 via Mansions and Millions.\u003cbr\u003e\u003cbr\u003eFor the album, Nalan creates a fictitious 2009, fed by her own digicam archive from back then, from which the entire artwork also comes, and the memories that arise while writing. Sometimes it is transfiguring and nostalgic, as in her track Everything was Easy in 2009, then again dark and lamenting, as in Down The Drain or Ok. 2009 is both the monster that can be seen on the cover and the girl in the background, of whom it is not clear whether she is laughing or crying.\u003cbr\u003e\u003cbr\u003eThe song 59:1 (fiftynine to one), for example, is about the live club of the same name in Munich, which had to close its doors in 2013 and where Nalan spent her youth going to concerts. Seems almost logical that, in addition to the members of her current live band, she also worked with musicians from the Munich indie and punk scene of that decade. Hisahi Yamamoto (Like Loonies, Nalan's first band), Attila Sarıtaş (Kafkas Orient Bazaar) and Martin Brugger (This Is The Arrival, now squama recordings) each contributed parts.\u003cbr\u003e\u003cbr\u003eIn terms of sound, however, Nalan moves in the opposite direction and continues to spin the futuristic alt-pop style of her debut. The album is simultaneously live-heavy and electronic- experimental. Pithy synth sounds and plucked guitars create an absorbing contrast and thus create space for Nalan's vocals to develop freely. Sometimes they can be heard clearly, sometimes speaking or impulsively in the background. The drums on the album are deliberately reduced, but have it all, and even the undead nu metal makes an appearance at one point. The sometimes autobiographical, sometimes fictional lyrics deal with desire as in Apple, the class struggles of growing up as in Down The Drain, crushes as in Everything was Easy in 2009 and the feeling of not really having anything to say as in I've Got Nothing to Say. The production by walter p99 arkestra, who also produced Nalan's debut, focuses on texture and atmosphere throughout. Nalan can be seen on tour in April and May 2026.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan data-sheets-root=\"1\"\u003eTracklist:\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e01. Apple\u003cbr\u003e02. 59:1 (fiftynine to one)\u003cbr\u003e03. I Like You\u003cbr\u003e04. Ok\u003cbr\u003e05. Down the Drain\u003cbr\u003e06. Heavy Metal\u003cbr\u003e07. I've got Nothing to Say\u003cbr\u003e08. Stars\u003cbr\u003e09. Everything was Easy in 2009\u003c\/p\u003e","brand":"Nalan","offers":[{"title":"Default Title","offer_id":52329283387720,"sku":"MAMI54LPR","price":26.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/2170\/7080\/files\/Nalan_Mockups_V2_Vinyl_3.jpg?v=1769706273"},{"product_id":"nalan-2009-limited-cd","title":"Nalan - 2009 Limited CD","description":"\u003ciframe data-testid=\"embed-iframe\" style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/album\/1ExTfbgXwifXMNfXEUe0ss?utm_source=generator\u0026amp;si=bff6746c2152465e\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cstrong\u003eLimited to 50 copies. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003eFour years after her solo debut I'm Good. The Crying Tape, the Berlin-based musician releases her new album 2009. The nine-song work was primarily created in Istanbul and Berlin and will be released on April 24, 2026 via Mansions and Millions.\u003cbr\u003e\u003cbr\u003eFor the album, Nalan creates a fictitious 2009, fed by her own digicam archive from back then, from which the entire artwork also comes, and the memories that arise while writing. Sometimes it is transfiguring and nostalgic, as in her track Everything was Easy in 2009, then again dark and lamenting, as in Down The Drain or Ok. 2009 is both the monster that can be seen on the cover and the girl in the background, of whom it is not clear whether she is laughing or crying.\u003cbr\u003e\u003cbr\u003eThe song 59:1 (fiftynine to one), for example, is about the live club of the same name in Munich, which had to close its doors in 2013 and where Nalan spent her youth going to concerts. Seems almost logical that, in addition to the members of her current live band, she also worked with musicians from the Munich indie and punk scene of that decade. Hisahi Yamamoto (Like Loonies, Nalan's first band), Attila Sarıtaş (Kafkas Orient Bazaar) and Martin Brugger (This Is The Arrival, now squama recordings) each contributed parts.\u003cbr\u003e\u003cbr\u003eIn terms of sound, however, Nalan moves in the opposite direction and continues to spin the futuristic alt-pop style of her debut. The album is simultaneously live-heavy and electronic- experimental. Pithy synth sounds and plucked guitars create an absorbing contrast and thus create space for Nalan's vocals to develop freely. Sometimes they can be heard clearly, sometimes speaking or impulsively in the background. The drums on the album are deliberately reduced, but have it all, and even the undead nu metal makes an appearance at one point. The sometimes autobiographical, sometimes fictional lyrics deal with desire as in Apple, the class struggles of growing up as in Down The Drain, crushes as in Everything was Easy in 2009 and the feeling of not really having anything to say as in I've Got Nothing to Say. The production by walter p99 arkestra, who also produced Nalan's debut, focuses on texture and atmosphere throughout. Nalan can be seen on tour in April and May 2026.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan data-sheets-root=\"1\"\u003eTracklist:\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e01. Apple\u003cbr\u003e02. 59:1 (fiftynine to one)\u003cbr\u003e03. I Like You\u003cbr\u003e04. Ok\u003cbr\u003e05. Down the Drain\u003cbr\u003e06. Heavy Metal\u003cbr\u003e07. I've got Nothing to Say\u003cbr\u003e08. Stars\u003cbr\u003e09. Everything was Easy in 2009\u003c\/p\u003e","brand":"Nalan","offers":[{"title":"Default Title","offer_id":52333520781640,"sku":"MAMI54CD","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/2170\/7080\/files\/Nalan_Mockups_CD.jpg?v=1769706276"},{"product_id":"discovery-zone-john-moods-dreaming-for-miles-tape-2nd-edition","title":"Discovery Zone \u0026 John Moods - Dreaming For Miles Tape 2nd Edition","description":"\u003ciframe data-testid=\"embed-iframe\" style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/album\/4aE4hiFOL0gIFfxe33fI0h?utm_source=generator\u0026amp;si=d6b238ff32124878\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e2nd edition with alternative artwork. Limited to 75 copies. Hand numbered. Includes tape\/CD only bonus track.\u003c\/p\u003e\n\u003cp\u003e----\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003e“The heart is a book. We write on it, and it remains.”\u003cbr\u003eAnamnesis is a force of recollection, a road into the world of memory. It literally means “to make a past event present now.” This album is a little portal, a mechanism by which we ended where we began – making music together.\u003cbr\u003eDreaming for Miles is a collection of songs that were written over the past ten years or so by JJ Weihl and John Moods, alone and together, and recorded between our basement practice space where we started our band Fenster many years ago, and at our home in Berlin. After spending over a decade living together and playing music together, our lives began to pull us in different directions. During the process of our separation, we decided to make a last record together. It felt impossible at times, but ultimately, extremely rewarding to work through the archive of our life in this way, and in doing so, let go of a lot, to be able to meet each other on the other side.\u003cbr\u003eWe played, produced and mixed every song without trying to be too precious about anything. It was mostly recorded on a Tascam Portastudio 488 between the winter of 2023 and 2024. Some of the songs were old demos we never finished, plucked from obscurity, and some were newer songs that came about during the recording process. It’s an imperfect attempt at making an album during a breakup, at saying farewell to a life we shared, and at starting a friendship as different versions of ourselves, changed by one another. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan data-sheets-root=\"1\"\u003eTracklist:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e1 Ricky \u0026amp; Rick\u003cbr\u003e2 Change Into One Another\u003cbr\u003e3 The Reason\u003cbr\u003e4 Rodeo\u003cbr\u003e5 Falling Leaves *\u003cbr\u003e6 Hey\u003cbr\u003e7 Interlude\u003cbr\u003e8 Everytime You Leave\u003cbr\u003e9 I Want You\u003cbr\u003e10 Dreaming For Miles\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e* Tape\/CD only bonus track\u003c\/p\u003e","brand":"Discovery Zone \u0026 John Moods","offers":[{"title":"Default Title","offer_id":52709331796296,"sku":"MAMI52MC2","price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/2170\/7080\/files\/ARTWORK_5efc2856-33ab-4193-8bfb-37f702d397e2.jpg?v=1759145788"},{"product_id":"discovery-zone-john-moods-dreaming-for-miles-cd-2nd-edition","title":"Discovery Zone \u0026 John Moods - Dreaming For Miles CD 2nd Edition","description":"\u003ciframe data-testid=\"embed-iframe\" style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/album\/4aE4hiFOL0gIFfxe33fI0h?utm_source=generator\u0026amp;si=d6b238ff32124878\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e2nd edition with alternative artwork. Limited to 50 copies. Includes tape\/CD only bonus track.\u003c\/p\u003e\n\u003cp\u003e----\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003e“The heart is a book. We write on it, and it remains.”\u003cbr\u003eAnamnesis is a force of recollection, a road into the world of memory. It literally means “to make a past event present now.” This album is a little portal, a mechanism by which we ended where we began – making music together.\u003cbr\u003eDreaming for Miles is a collection of songs that were written over the past ten years or so by JJ Weihl and John Moods, alone and together, and recorded between our basement practice space where we started our band Fenster many years ago, and at our home in Berlin. After spending over a decade living together and playing music together, our lives began to pull us in different directions. During the process of our separation, we decided to make a last record together. It felt impossible at times, but ultimately, extremely rewarding to work through the archive of our life in this way, and in doing so, let go of a lot, to be able to meet each other on the other side.\u003cbr\u003eWe played, produced and mixed every song without trying to be too precious about anything. It was mostly recorded on a Tascam Portastudio 488 between the winter of 2023 and 2024. Some of the songs were old demos we never finished, plucked from obscurity, and some were newer songs that came about during the recording process. It’s an imperfect attempt at making an album during a breakup, at saying farewell to a life we shared, and at starting a friendship as different versions of ourselves, changed by one another. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan data-sheets-root=\"1\"\u003eTracklist:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e1 Ricky \u0026amp; Rick\u003cbr\u003e2 Change Into One Another\u003cbr\u003e3 The Reason\u003cbr\u003e4 Rodeo\u003cbr\u003e5 Falling Leaves *\u003cbr\u003e6 Hey\u003cbr\u003e7 Interlude\u003cbr\u003e8 Everytime You Leave\u003cbr\u003e9 I Want You\u003cbr\u003e10 Dreaming For Miles\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e* CD\/Tape only bonus track\u003c\/p\u003e","brand":"Discovery Zone \u0026 John Moods","offers":[{"title":"Default Title","offer_id":52709354963272,"sku":"MAMI52CD2","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/2170\/7080\/files\/ARTWORK_5efc2856-33ab-4193-8bfb-37f702d397e2.jpg?v=1759145788"},{"product_id":"paycheque-paycheque-vinyl","title":"Paycheque - Paycheque Vinyl","description":"\u003cp\u003e\u003ciframe data-testid=\"embed-iframe\" style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/0SKergeG1jqceKcvCw8c9J?utm_source=generator\u0026amp;si=5079972352cc4586\" width=\"100%\" height=\"152\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003ePaycheque began with a chance meeting on the patio of Los Angeles venue Zebulon in February 2020, just before the world shut down.  Allison Goldfarb, a filmmaker and musician from St. Louis, and Jackson MacIntosh, a member of TOPS and Drugdealer and a longtime fixture in the Montreal music scene, had been orbiting similar social circles before being introduced at a mutual friend’s show. They struck up an immediate friendship and exchanged mix CDs, bonding over a shared love of sophisti-pop and italo. As the COVID lockdown set in and tours and work disappeared, the duo retreated to a garage studio to play with synthesizers and drum machines, where they discovered their chemistry extended to songwriting. Their formless synth jams quickly coalesced into the polished, artfully arranged pop songs that would form their first album. \u003c\/p\u003e\n\u003cp\u003ePaycheque’s debut LP wears its 80s pop influences on its sleeve, awash with gated drums, clean guitar lines, and vintage hardware synths. But if you look past these spatial and temporal origin points, one finds a record that is very much of present-day Los Angeles.  Recorded throughout 2024 and 2025 in a home studio right next to their kitchen, Goldfarb and MacIntosh saw the roof of the abandoned stables in their backyard ripped away by the Santa Ana winds that fueled the region’s devastating fires. Soon after the completion of the record, the house itself was fated for demolition. This sense of impermanence, long characteristic of Los Angeles but now newly urgent, haunts the album.\u003c\/p\u003e\n\u003cp\u003ePaycheque are keen observers of this brittle Los Angeles: the uncertainty that comes from fire and ICE, the capriciousness of its metonymic entertainment industries, the superficiality that accompanies ambition, and, underneath it all, the aleatory nature of art, love, and success. The album’s sensibility is evident in the band’s name itself, which cheekily gestures at and distinguishes itself from its influences. The Canadian English evokes the duo’s Montreal history, while the quotidian nature of the word serves as a playful counterpoint to its stylistic inspirations –think Depeche Mode, New Musik, Pet Shop Boys– and their associations in the cultural memory with the purported glitz and glam of the Reagan-Thatcher years.  While glossy and almost impossibly catchy, this is pop music of the wage, not the salary.\u003c\/p\u003e\n\u003cp\u003eThe album unfolds cinematically, like a series of vignettes; images, moods and characters conjured with cool economy, scenes of worldly skepticism and cautious romanticism.  Opening single “Generic Actress” provides a kind of thesis statement (“Well a job’s what you make it, and nothing’s for free”) and describes the bargain that Los Angeles has offered to so many – “Would you take this endless weekend, or a dreary Monday afternoon?”  It takes only the first two lines for “It’s So Obvious” to produce an indelible metaphor – “Was it the way you said my name \/ That felt like walking away?” On pithy, guitar soaked third single “Heatwave,” an indirectly sketched but immediately recognizable subject is “armed with all the charm of an only son.”  The narrator of “Acquaintances” captures the alienating churn of loose bonds: “Unembarrassed \/ Unemployed \/ What’s the point \/ I’m not the person that you want me to be \/ This conversation feels lonely.”  With the plaintive “Camouflage,” inspired by an easy-listening reggae mixtape made by labelmate Better Person, the album departs into a dubby fog, looking back on what has been lost, searching for what still might be found - “There’s nothing to share \/ Or to do \/ The parts rearranged \/ The play has been staged \/ Where are you?”\u003c\/p\u003e","brand":"Paycheque","offers":[{"title":"Default Title","offer_id":52823138107720,"sku":"MAMI56LP","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/2170\/7080\/files\/Front_Cover_Mid.jpg?v=1775131678"},{"product_id":"martha-rose-grip-tight-learning-love-tape","title":"Martha Rose \u0026 GRIP TIGHT - Learning Love Tape","description":"\u003ciframe data-testid=\"embed-iframe\" style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/album\/5BGQiO9BH8HSuRZ0iQYOZw?utm_source=generator\u0026amp;si=419123e6b75c4c5c\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eLimited to 50 copies. Comes with OBI strip.\u003c\/p\u003e\n\u003cp\u003e“Learning Love” is the debut album by Martha Rose \u0026amp; GRIP TIGHT, following their collaboration on several singles released through Berlin label Mansions \u0026amp; Millions. Written by the longtime friends from the UK over two years in GRIP TIGHT’s east Berlin studio, “Learning Love” reflects and explores a soft nocturnal cityscape, glowing with evening lights on winding roads.\u003c\/p\u003e\n\u003cp\u003eThey explore love through a rare lens of depth, grappling with loneliness and grief within the drawn curtains of intimacy, and the eternal struggles of trying to be your best self alongside someone else. Romantic, seductive, and minimal, the album creates space for existential questions and meditative melodies. Synth-heavy textures evoke restless twilights, evening walks through the summer city, lamplight glowing, and headlights full beam into the void.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"v8-track-row\"\u003e\n\u003cspan class=\"v8-track-num\"\u003e1 \u003c\/span\u003e\u003cspan class=\"v8-track-title\"\u003eIn Your Eyes\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"v8-track-row\"\u003e\u003cspan class=\"v8-track-title\"\u003e2 Oh So Soon\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"v8-track-row\"\u003e\n\u003cspan class=\"v8-play-btn-empty\"\u003e\u003c\/span\u003e\u003cspan class=\"v8-track-num\"\u003e3 \u003c\/span\u003e\u003cspan class=\"v8-track-title\"\u003eYou Take Me To\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"v8-track-row\"\u003e\n\u003cspan class=\"v8-play-btn-empty\"\u003e\u003c\/span\u003e\u003cspan class=\"v8-track-num\"\u003e4 \u003c\/span\u003e\u003cspan class=\"v8-track-title\"\u003eThis Place\u003c\/span\u003e\u003cspan class=\"v8-track-dur\"\u003e3:30\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"v8-track-row\"\u003e\n\u003cspan class=\"v8-play-btn-empty\"\u003e\u003c\/span\u003e\u003cspan class=\"v8-track-num\"\u003e5 \u003c\/span\u003e\u003cspan class=\"v8-track-title\"\u003eRaindrop Allee\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"v8-track-row\"\u003e\n\u003cspan class=\"v8-play-btn-empty\"\u003e\u003c\/span\u003e\u003cspan class=\"v8-track-num\"\u003e6 \u003c\/span\u003e\u003cspan class=\"v8-track-title\"\u003eWhere to Look\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"v8-track-row\"\u003e\n\u003cspan class=\"v8-play-btn-empty\"\u003e\u003c\/span\u003e\u003cspan class=\"v8-track-num\"\u003e7 \u003c\/span\u003e\u003cspan class=\"v8-track-title\"\u003ePossession (of Love)\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"v8-track-row\"\u003e\n\u003cspan class=\"v8-play-btn-empty\"\u003e\u003c\/span\u003e\u003cspan class=\"v8-track-num\"\u003e8 \u003c\/span\u003e\u003cspan class=\"v8-track-title\"\u003eTrying\u003c\/span\u003e\n\u003c\/div\u003e","brand":"Martha Rose \u0026 GRIP TIGHT","offers":[{"title":"Default Title","offer_id":53415544357192,"sku":"MAMI51MC","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/2170\/7080\/files\/LearningLove-750px.jpg?v=1782808909"},{"product_id":"martha-rose-grip-tight-learning-love-tape-shirt-bundle","title":"Martha Rose \u0026 GRIP TIGHT - Learning Love Tape + Shirt Bundle","description":"\u003cp\u003eScreenprinted shirts\u003cbr\u003eDesign by Sharmila Banerjee\u003c\/p\u003e","brand":"Martha Rose \u0026 GRIP TIGHT","offers":[{"title":"S","offer_id":53415731102024,"sku":"MAMI51BUNDLE-S","price":40.0,"currency_code":"EUR","in_stock":true},{"title":"M","offer_id":53415731134792,"sku":"MAMI51BUNDLE-M","price":40.0,"currency_code":"EUR","in_stock":true},{"title":"L","offer_id":53415731167560,"sku":"MAMI51BUNDLE-L","price":40.0,"currency_code":"EUR","in_stock":true},{"title":"XL","offer_id":53415731200328,"sku":"MAMI51BUNDLE-XL","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/2170\/7080\/files\/MRGT_Bundle_A.jpg?v=1786530928"}],"url":"https:\/\/shop.mansionsandmillions.com\/collections\/new-releases.oembed?page=2","provider":"Mansions and Millions Webshop","version":"1.0","type":"link"}